1 00:00:08,109 --> 00:00:09,810 Thank you. 2 00:00:42,920 --> 00:00:43,920 thank you 3 00:01:14,410 --> 00:01:16,770 This is the story of Walter Nebecker. 4 00:01:18,570 --> 00:01:21,830 Doing what he likes best, fighting crime in the streets. 5 00:01:22,430 --> 00:01:24,150 You see, Walter's a policeman. 6 00:01:25,070 --> 00:01:28,170 Unfortunately, the chief doesn't want Walter on the streets. 7 00:01:29,090 --> 00:01:30,990 Captain, get back to your cage, boy. 8 00:01:32,730 --> 00:01:37,710 Now! So Walter must fight crime in his own way, in the computer room. 9 00:01:38,070 --> 00:01:39,350 That's where he's an expert. 10 00:01:40,150 --> 00:01:44,300 Fortunately for me... Walter's advanced knowledge of electronics led him to 11 00:01:44,300 --> 00:01:46,560 experiment with what is called a hologram. 12 00:01:46,940 --> 00:01:51,360 That's a very fancy word for a three -dimensional picture that, when 13 00:01:51,360 --> 00:01:54,560 can be made to look real, sound real. 14 00:01:55,020 --> 00:01:59,000 As a matter of fact, given enough power, it can even be made to feel real. 15 00:02:00,520 --> 00:02:02,520 That's kind of what got me into this world. 16 00:02:14,630 --> 00:02:17,090 My name is Auto Man. 17 00:02:19,070 --> 00:02:20,850 You must be Walter Nebeka. 18 00:02:22,110 --> 00:02:23,610 How did you know that? 19 00:02:23,830 --> 00:02:27,290 It's on the programming you fed into my system. I must say, Walter, you're very 20 00:02:27,290 --> 00:02:28,430 good. Very good indeed. 21 00:02:30,050 --> 00:02:31,210 I look wonderful. 22 00:02:32,390 --> 00:02:34,650 If you do say so yourself. 23 00:02:35,050 --> 00:02:36,370 You programmed me to be honest. 24 00:02:37,230 --> 00:02:41,290 But tell me, why did you call me Auto Man? It means that you're the world's 25 00:02:41,290 --> 00:02:43,270 first truly automatic man. 26 00:02:44,000 --> 00:02:46,780 You can do anything because you're not real. 27 00:02:47,240 --> 00:02:50,360 Oh, but I am. I'm as real as you are, just different. 28 00:02:50,640 --> 00:02:52,360 And thanks to you, perfect. 29 00:02:53,580 --> 00:02:55,000 Nobody's perfect, Auto Man. 30 00:02:55,320 --> 00:02:56,360 That's not true, Walter. 31 00:02:56,780 --> 00:03:00,320 You've programmed me to observe other people and do whatever they can do as 32 00:03:00,320 --> 00:03:01,320 as they can do it. 33 00:03:01,420 --> 00:03:03,760 Jimmy Connors playing tennis, John Travolta dancing. 34 00:03:04,260 --> 00:03:08,200 In fact, on a scale of one to ten, think of me as an eleven. 35 00:03:10,280 --> 00:03:11,640 I've created a monster. 36 00:03:13,680 --> 00:03:17,940 No, what Walter really created was a wonderful force for good. 37 00:03:19,760 --> 00:03:20,760 Auto Man. 38 00:03:22,300 --> 00:03:23,300 That's me. 39 00:03:32,940 --> 00:03:38,540 Shall I get your car, Mr. Gillette? 40 00:03:38,780 --> 00:03:40,340 Anything. It's a red Porsche. 41 00:03:40,580 --> 00:03:41,580 Yes, sir. 42 00:03:45,740 --> 00:03:50,320 We contracted him for about four years before she came over to the other 43 00:03:52,720 --> 00:03:55,540 Well, well, well, what do you know? It's America's sweetheart. 44 00:03:55,800 --> 00:03:57,320 How are you, Veronica? 45 00:03:58,000 --> 00:03:59,880 Fine. No thanks to you. 46 00:04:01,560 --> 00:04:04,080 So how is the Jack the Ripper of journalism? 47 00:04:04,560 --> 00:04:06,360 I gather you read today's column. 48 00:04:06,660 --> 00:04:08,560 I did. And so did my lawyer. 49 00:04:09,260 --> 00:04:11,140 I'm going to sue you into oblivion. 50 00:04:11,360 --> 00:04:13,900 It's a shame you can't be that dramatic on screen. 51 00:04:14,280 --> 00:04:15,640 You think you can destroy me? 52 00:04:15,960 --> 00:04:16,960 Is that a threat? 53 00:04:17,180 --> 00:04:19,540 One phone call, I could put you in the obituary. 54 00:04:19,800 --> 00:04:21,500 And don't think I wouldn't do it. 55 00:04:21,940 --> 00:04:22,940 I don't. 56 00:04:23,220 --> 00:04:27,300 Hollywood has been that Veronica Everly can't stop trying to throw her weight 57 00:04:27,300 --> 00:04:28,300 around. 58 00:04:28,700 --> 00:04:32,240 If I hurry, I can still make the Mars column. There you go, son. 59 00:04:33,860 --> 00:04:35,240 You're a dead man, Keith. 60 00:04:36,080 --> 00:04:37,160 Do you hear me? 61 00:04:37,520 --> 00:04:38,520 Ciao, Veronica. 62 00:05:04,490 --> 00:05:05,490 Good evening. 63 00:05:09,130 --> 00:05:10,130 Goodbye. 64 00:05:16,430 --> 00:05:20,210 Come in, Jack. 65 00:05:21,150 --> 00:05:23,990 Lieutenant Curtis, I would like you to meet Sheila Dunham. 66 00:05:24,290 --> 00:05:27,890 How do you do? Miss Dunham was Keith Gillette's assistant. 67 00:05:28,330 --> 00:05:30,170 Oh. Hello, Lieutenant. 68 00:05:30,550 --> 00:05:31,550 How do you do? 69 00:05:31,920 --> 00:05:34,000 I understand you're in charge of the case. 70 00:05:34,800 --> 00:05:35,800 Ah, yes. 71 00:05:36,000 --> 00:05:37,020 Such as it is. 72 00:05:37,940 --> 00:05:39,860 Afraid we don't have a lot of good leads at the moment. 73 00:05:40,200 --> 00:05:41,960 Well, I'll give you more than a lead. 74 00:05:42,360 --> 00:05:44,400 I'll tell you who was behind the murder. 75 00:05:45,820 --> 00:05:46,820 Really? 76 00:05:49,260 --> 00:05:50,620 Veronica Everly. 77 00:05:52,400 --> 00:05:53,840 Veronica? You mean the actress? 78 00:05:54,220 --> 00:05:56,600 Most people might quibble with that description. 79 00:05:57,700 --> 00:06:02,240 Well, we'll investigate this woman, but what we need here is evidence, not 80 00:06:02,240 --> 00:06:03,600 theory. Well, here. 81 00:06:03,980 --> 00:06:07,200 I brought everything that Keith was working on, all his notes. 82 00:06:07,940 --> 00:06:09,980 There are names in there that I've never heard of. 83 00:06:10,840 --> 00:06:13,480 Have you got a computer, Jackie, for this? I'll get this stuff to Wally. 84 00:06:13,720 --> 00:06:15,320 See what never she can come up with. 85 00:06:16,240 --> 00:06:17,400 All right. Okay. 86 00:06:18,020 --> 00:06:20,760 Well, thank you, Miss Dunham, for the help. 87 00:06:21,280 --> 00:06:22,280 We'll be in touch. 88 00:06:22,960 --> 00:06:25,020 She is going to pay for this. 89 00:06:25,690 --> 00:06:28,190 One way or another, she's going to pay. 90 00:06:37,530 --> 00:06:38,530 Hi, 91 00:06:40,810 --> 00:06:41,810 Wally. Hi. 92 00:06:42,250 --> 00:06:44,990 Lieutenant Curse wants to know how you're coming on those gossip columnist 93 00:06:44,990 --> 00:06:47,730 notes. Well, I'm just about to get some answers. 94 00:07:06,330 --> 00:07:07,330 Hello, 95 00:07:09,090 --> 00:07:10,090 Walter. 96 00:07:10,110 --> 00:07:11,110 Hello, Roxanne. 97 00:07:11,770 --> 00:07:14,430 Wally, I don't think this is what the lieutenant had in mind. 98 00:07:15,030 --> 00:07:16,990 He wanted a computer analysis of those notes. 99 00:07:17,250 --> 00:07:18,750 Nobody can do that faster than Auto Man. 100 00:07:19,210 --> 00:07:20,210 Go ahead, Auto. 101 00:07:20,330 --> 00:07:21,330 Tell her what you found out. 102 00:07:22,170 --> 00:07:23,170 Okay. 103 00:07:23,510 --> 00:07:27,350 Tanya Boyer uses biorhythms before she'll agree to do a picture. 104 00:07:28,049 --> 00:07:30,590 Guess who's not really a natural blonde? 105 00:07:31,950 --> 00:07:36,090 Yeah. As soon as Lieutenant Curtis finishes interrogating Veronica Everly, 106 00:07:36,090 --> 00:07:38,130 give him all this late -breaking news. 107 00:07:41,850 --> 00:07:44,830 Did she say Veronica Everly is here? 108 00:07:45,670 --> 00:07:46,670 Please, Otto. 109 00:07:46,890 --> 00:07:48,890 You've already made me look like a perfect fool. 110 00:07:49,110 --> 00:07:51,330 She's one of my all -time favorite stars. 111 00:07:51,790 --> 00:07:54,770 I must have played your tape of Queen of the Nile a hundred times. 112 00:07:56,910 --> 00:07:58,670 Do you think you could introduce me? 113 00:08:00,610 --> 00:08:04,290 Otto, you're supposed to be helping me, not the other way around. 114 00:08:04,770 --> 00:08:08,250 Well, if you had let me finish, I would have explained I've actually learned a 115 00:08:08,250 --> 00:08:09,049 great deal. 116 00:08:09,050 --> 00:08:11,330 You mean about who's a natural blonde and who isn't? 117 00:08:11,670 --> 00:08:15,510 Otto... No, about someone who has a good reason to see Keith Gillette dead. 118 00:08:16,370 --> 00:08:17,370 Who? 119 00:08:17,590 --> 00:08:18,710 Michael Hagedorn. 120 00:08:19,190 --> 00:08:22,550 Gillette was involved in an investigation into the financing of a 121 00:08:22,550 --> 00:08:23,550 The Silver Dawn. 122 00:08:23,910 --> 00:08:27,010 Apparently, it stumbled onto the fact that Hagedorn was paying for the film 123 00:08:27,010 --> 00:08:28,110 illicit drug profits. 124 00:08:28,750 --> 00:08:32,190 The notes also show that a major drug transaction is in the works. 125 00:08:33,150 --> 00:08:36,130 Okay, now that's more like it. Wait, do you have this man's address? 126 00:08:44,870 --> 00:08:45,870 Right here. 127 00:08:47,610 --> 00:08:50,470 Now, do you think I could meet Miss Eberle? 128 00:08:51,230 --> 00:08:52,230 Forget it, Otto. 129 00:08:52,490 --> 00:08:54,170 I have enough trouble explaining you to myself. 130 00:08:55,750 --> 00:08:56,750 Where are you going? 131 00:08:57,950 --> 00:09:00,830 Well, I'd like to have something to corroborate this reporter's theories 132 00:09:00,830 --> 00:09:01,830 I go to Lieutenant Curtis. 133 00:09:02,350 --> 00:09:03,350 Would you like me to come along? 134 00:09:04,070 --> 00:09:06,470 Not this time, Otto. I think I can handle this one by myself. 135 00:09:06,950 --> 00:09:09,190 Well, is there anything you'd like me to do while you're gone? Yeah. 136 00:09:10,670 --> 00:09:11,670 Nothing. 137 00:09:20,650 --> 00:09:24,010 Well, I... I'm sure Walter wouldn't mind if I asked her for an autograph. 138 00:09:24,590 --> 00:09:25,590 Cursor? 139 00:09:40,670 --> 00:09:43,690 Miss Everly, I'd like to thank you for taking the time to come down here. 140 00:09:44,090 --> 00:09:45,790 If there's anything else, I'll call you, all right? 141 00:09:47,150 --> 00:09:48,150 Good evening, Lieutenant. 142 00:09:49,150 --> 00:09:50,690 Oh, Asian man, hello. 143 00:09:51,440 --> 00:09:55,040 What brings our Washington's finest down to our humble precinct? 144 00:09:55,520 --> 00:09:57,640 Officer Nebaker's running some computer checks for me. 145 00:09:57,920 --> 00:10:01,520 But when I heard Miss Everly was here, I just had to say hello. 146 00:10:03,020 --> 00:10:05,700 Veronica Everly, this is Federal Agent Mann. 147 00:10:06,360 --> 00:10:07,360 Why, hello. 148 00:10:11,540 --> 00:10:13,100 I feel as if we're old friends. 149 00:10:13,600 --> 00:10:15,720 I've seen all of your films three and four times. 150 00:10:16,200 --> 00:10:18,780 You're even more captivating in person than you are on the screen. 151 00:10:20,180 --> 00:10:21,180 Oh, well. 152 00:10:21,320 --> 00:10:22,480 You're not so bad yourself. 153 00:10:24,480 --> 00:10:28,220 Well, if you'll excuse me, I have a murder investigation to run. 154 00:10:28,700 --> 00:10:32,000 Roxanne, would you finish this for me, please? Sure. Thank you. 155 00:10:34,100 --> 00:10:35,100 Excuse me. 156 00:10:38,860 --> 00:10:42,960 I have a late call at the studio tonight. Perhaps if you're not doing 157 00:10:42,960 --> 00:10:44,520 later, you'd like to drop by the set. 158 00:10:45,120 --> 00:10:48,520 I think Officer Nebaker was expecting you to stick around. 159 00:10:48,960 --> 00:10:50,320 I'm sure he wouldn't mind. 160 00:10:50,990 --> 00:10:53,570 Besides, I've always been fascinated by films. 161 00:10:53,830 --> 00:10:56,290 Some of the illusions they create are so real. 162 00:10:57,690 --> 00:11:00,130 Once you know the tricks, you can spot them a mile away. 163 00:11:00,550 --> 00:11:01,550 Is that so? 164 00:11:03,690 --> 00:11:05,850 And I could show you a lot more. 165 00:11:07,530 --> 00:11:10,230 You mean... You mean a private tour? 166 00:11:11,610 --> 00:11:13,710 Anything for the boys in blue. 167 00:11:18,850 --> 00:11:19,930 Tell me... 168 00:11:20,170 --> 00:11:22,650 Does that collar require recharging? 169 00:11:23,150 --> 00:11:24,930 No, but I do. 170 00:11:29,610 --> 00:11:33,350 Kurta? The auto car, please. I've decided to take Miss Everly up on her 171 00:11:33,350 --> 00:11:34,350 invitation. 172 00:11:36,210 --> 00:11:38,950 Of course Walter won't mind. You know how open -minded he is. 173 00:11:41,310 --> 00:11:42,930 Okay, so we won't tell him. 174 00:11:50,480 --> 00:11:51,480 Thank you, Curtis. 175 00:12:08,240 --> 00:12:09,240 Good evening, officer. 176 00:12:09,840 --> 00:12:10,840 Good evening. 177 00:12:11,560 --> 00:12:12,560 Oh. 178 00:12:14,220 --> 00:12:16,540 You must be in that science fiction movie this year. 179 00:12:17,360 --> 00:12:19,480 No, actually, I'm a guest of Veronica Everly. 180 00:12:19,840 --> 00:12:20,819 Stage 18? 181 00:12:20,820 --> 00:12:23,660 Oh, yeah. Well, just follow the green line, and when you get... That sounds 182 00:12:23,660 --> 00:12:24,660 enough. 183 00:12:25,140 --> 00:12:26,140 Thank you. 184 00:12:30,500 --> 00:12:32,540 Maybe I ought to go back to the day shift. 185 00:12:36,060 --> 00:12:37,060 Weird. 186 00:12:38,500 --> 00:12:39,500 Cursor? 187 00:12:40,760 --> 00:12:41,960 I feel at home already. 188 00:12:45,280 --> 00:12:46,280 Settle, please. 189 00:12:50,190 --> 00:12:51,630 I've heard it all before, Gib. 190 00:12:52,010 --> 00:12:54,950 Kitty, you think we could lose the gum? 191 00:12:57,830 --> 00:12:59,590 Back to number one, please, everybody. 192 00:13:00,410 --> 00:13:01,410 Still rolling. 193 00:13:05,550 --> 00:13:06,550 Settle. 194 00:13:09,090 --> 00:13:10,090 And action. 195 00:13:11,310 --> 00:13:12,890 I've heard it all before, Gib. 196 00:13:13,270 --> 00:13:15,330 You just tell a woman what she wants to hear. 197 00:13:15,570 --> 00:13:17,590 What I want to hear is that you'll leave with me tomorrow. 198 00:13:18,350 --> 00:13:19,350 Never. 199 00:13:22,160 --> 00:13:29,040 You want me as much as I want you don't do this to me You're 200 00:13:29,040 --> 00:13:34,700 not 201 00:13:34,700 --> 00:13:44,680 giving 202 00:13:44,680 --> 00:13:46,760 it to me you understand it. 203 00:13:47,300 --> 00:13:51,720 I just don't believe you that's all How do you expect me to do a love scene with 204 00:13:51,720 --> 00:13:54,180 this mealy -mouthed twerp? Hey, look. 205 00:13:54,540 --> 00:13:58,500 If your sugar daddy wasn't bankrolling this picture, you wouldn't even be in 206 00:13:59,380 --> 00:14:00,700 Get the hell out of here! 207 00:14:01,580 --> 00:14:02,580 Go on, get out! 208 00:14:03,140 --> 00:14:04,280 Get out! 209 00:14:05,400 --> 00:14:06,400 Jason! 210 00:14:07,020 --> 00:14:10,080 What do I do now? 211 00:14:12,340 --> 00:14:13,380 It's a small part. 212 00:14:13,580 --> 00:14:14,740 We'll get another actor. 213 00:14:15,460 --> 00:14:16,460 We will. 214 00:14:17,600 --> 00:14:18,600 When? 215 00:14:18,960 --> 00:14:24,220 I have three days to wrap the whole film. Where do I find someone to play 216 00:14:24,320 --> 00:14:26,180 What about him? 217 00:14:26,900 --> 00:14:27,900 Who? 218 00:14:28,380 --> 00:14:31,060 That gorgeous hunk over there. 219 00:14:32,160 --> 00:14:34,020 That's somebody I could do a love scene with. 220 00:14:38,500 --> 00:14:39,500 You're kidding. 221 00:14:39,600 --> 00:14:40,600 You are. 222 00:14:40,700 --> 00:14:42,580 I don't even know who he is. 223 00:14:43,020 --> 00:14:44,460 Well, let's go find out. 224 00:14:56,940 --> 00:14:57,940 Excuse me. 225 00:14:58,900 --> 00:15:01,560 You are, uh, Mr... Mann. 226 00:15:01,920 --> 00:15:03,260 Otto J. Mann. 227 00:15:03,980 --> 00:15:04,980 Miss Hopkins. 228 00:15:05,280 --> 00:15:06,280 Mr. Mann. 229 00:15:06,600 --> 00:15:07,600 Mr. Mann. 230 00:15:07,680 --> 00:15:08,680 Miss Hopkins. 231 00:15:08,760 --> 00:15:09,760 My pleasure. 232 00:15:10,480 --> 00:15:14,520 Have you ever done any acting, Mr. Mann? Oh, all the time. I think there's a 233 00:15:14,520 --> 00:15:15,820 little Robert Redford in my program. 234 00:15:16,800 --> 00:15:19,480 How would you like to do a love scene with me? 235 00:15:20,460 --> 00:15:21,460 Right here. 236 00:15:22,280 --> 00:15:23,280 Right now. 237 00:15:24,100 --> 00:15:27,380 A love scene? You mean like... Rudolph Valentino in The Sheik? 238 00:15:28,240 --> 00:15:29,240 Something like that. 239 00:15:29,540 --> 00:15:31,280 Certainly. Where's my horse? 240 00:15:32,560 --> 00:15:33,560 No horse, Otto. 241 00:15:34,820 --> 00:15:37,420 Cynthia! Can I borrow your script for a moment? 242 00:15:37,940 --> 00:15:38,940 Thank you. 243 00:15:41,500 --> 00:15:42,840 Read the part of Gibb. 244 00:15:51,460 --> 00:15:52,520 I know my lines. 245 00:15:54,180 --> 00:15:55,180 I'm a quick study. 246 00:15:56,560 --> 00:15:57,560 Oh. 247 00:16:37,910 --> 00:16:39,330 Hey, Phil, how are you? Oh, Mike. 248 00:16:39,910 --> 00:16:41,310 Can I get you anything, Mr. Hagedorn? 249 00:16:41,510 --> 00:16:42,730 No, that'll be all, Oscar. Thanks. 250 00:16:44,590 --> 00:16:45,910 Did you just come from the set? 251 00:16:46,590 --> 00:16:47,590 Yep. 252 00:16:48,050 --> 00:16:49,050 And? 253 00:16:49,790 --> 00:16:50,790 Slowly. 254 00:16:50,950 --> 00:16:53,830 I'm falling farther behind. I can't tell you what that's costing you. 255 00:16:54,090 --> 00:16:55,090 Is that all you can say? 256 00:16:55,670 --> 00:16:57,250 What about Kitty? How's she doing? 257 00:16:57,770 --> 00:16:58,770 Fine. She's doing fine. 258 00:17:00,110 --> 00:17:01,610 Come on. Come on. Come on. Tell me the truth. 259 00:17:03,110 --> 00:17:04,470 You've seen her before. What do you think? 260 00:17:04,690 --> 00:17:05,608 You know what I think? 261 00:17:05,609 --> 00:17:07,470 I think that someday she's going to be a big star. 262 00:17:07,730 --> 00:17:08,709 That's what I think. 263 00:17:08,710 --> 00:17:10,950 Yeah, as your lawyer, I have to remind you that if they don't finish shooting 264 00:17:10,950 --> 00:17:14,410 this movie by the 14th of this month, the other investors have the right to 265 00:17:14,410 --> 00:17:17,770 out, which means you'll get stuck with a whole 20 million dollars. Oh, look, the 266 00:17:17,770 --> 00:17:19,770 worst comes to worst. We'll cut out the last few scenes. 267 00:17:20,609 --> 00:17:22,750 Unfortunately, the contract is very specific. 268 00:17:23,410 --> 00:17:28,190 If you don't deliver every word as written in the script, every scene, then 269 00:17:28,190 --> 00:17:30,310 have the right to walk away without coming up with a dime. 270 00:17:30,850 --> 00:17:33,590 You know, you really want to push me into investing in this movie. 271 00:17:33,960 --> 00:17:36,600 Best way in the world to plow back my drug profits. 272 00:17:36,800 --> 00:17:37,800 That's what you said. 273 00:17:38,040 --> 00:17:38,979 So what happens? 274 00:17:38,980 --> 00:17:42,220 I end up having to kill a gossip columnist to keep him from exposing my 275 00:17:42,220 --> 00:17:44,480 operation. I checked with the DA's office. 276 00:17:44,800 --> 00:17:46,800 The police still can't buy a clue. 277 00:17:47,300 --> 00:17:50,040 Yeah, well, I got a bigger problem. Because if I have to pay for this movie, 278 00:17:50,040 --> 00:17:52,080 won't be able to pay Casey for that heroin that's coming in. 279 00:17:52,440 --> 00:17:54,220 And he'll kill me before I'll take an IOU. 280 00:18:03,490 --> 00:18:06,850 Mr. Haggard, there's a guy parked across the street. 281 00:18:07,310 --> 00:18:08,650 He's been there for close to an hour. 282 00:18:09,490 --> 00:18:10,490 Want me to check it out? 283 00:18:11,330 --> 00:18:12,330 Yeah, right away, Oscar. 284 00:18:12,530 --> 00:18:13,990 If there's a problem, you know what to do. 285 00:18:14,950 --> 00:18:15,950 Yes, sir. 286 00:18:42,090 --> 00:18:44,590 You got some business in this neighborhood? 287 00:18:44,970 --> 00:18:46,910 We just like watching the grass grow. 288 00:18:49,730 --> 00:18:50,730 Police officer. 289 00:18:54,910 --> 00:18:58,110 Sorry, sir. You know, we've been having a lot of burglaries lately. 290 00:18:58,470 --> 00:18:59,470 Yeah, well, that's why I'm here. 291 00:20:18,179 --> 00:20:20,020 Simon? What is Simon? 292 00:20:28,399 --> 00:20:31,960 If you're looking for Auto Man, he's probably down at the J -Tree studio. 293 00:20:32,360 --> 00:20:36,820 What? He introduced himself to Veronica Everly and somehow got invited down to 294 00:20:36,820 --> 00:20:40,520 the studio to watch them film that movie she's in. He went down there alone? 295 00:20:42,480 --> 00:20:45,360 Well, I'm sure he's keeping a low profile. 296 00:20:45,800 --> 00:20:46,800 How sure? 297 00:20:47,760 --> 00:20:48,760 Not at all. 298 00:20:50,000 --> 00:20:54,040 When I look at you, the whole world just melts away to nothing. 299 00:20:56,620 --> 00:20:57,840 I've heard it all before, Gib. 300 00:20:58,420 --> 00:21:00,400 You just tell a woman what she wants to hear. 301 00:21:01,220 --> 00:21:03,940 What I want to hear from you is that you'll leave with me tomorrow. 302 00:21:05,900 --> 00:21:06,900 Never. 303 00:21:12,100 --> 00:21:15,600 You want me just as much as I want you. 304 00:21:21,360 --> 00:21:22,380 Don't do this to me. 305 00:21:40,840 --> 00:21:44,360 Okay, that's great. Teddy, let's set up for close -up, shall we? Same positions. 306 00:21:45,960 --> 00:21:46,960 Not too shabby. 307 00:21:47,440 --> 00:21:48,900 Not too shabby at all. 308 00:21:49,160 --> 00:21:50,160 I like it. 309 00:21:50,220 --> 00:21:51,220 Print it. 310 00:21:54,980 --> 00:21:55,980 Okay, that's a cut. 311 00:21:58,340 --> 00:21:59,640 I said that's a cut. 312 00:22:04,280 --> 00:22:05,280 How was that? 313 00:22:06,200 --> 00:22:09,060 Terrific. Kitty, you were great. Go relax for me, okay? 314 00:22:13,230 --> 00:22:14,230 So, Mr. 315 00:22:14,290 --> 00:22:16,370 Mann, you have an agent? 316 00:22:16,890 --> 00:22:17,890 What's an agent? 317 00:22:18,490 --> 00:22:20,070 Like a vampire with a telephone. 318 00:22:20,630 --> 00:22:22,470 Then I definitely don't have one. 319 00:22:22,750 --> 00:22:25,610 Don't worry. You are going to play Gibb. 320 00:22:26,130 --> 00:22:28,910 You mean I'm in the movies? Just like that? 321 00:22:29,550 --> 00:22:31,830 They don't call it the Dream Factory for nothing. 322 00:22:33,810 --> 00:22:38,150 Well, I could be the next Clint Eastwood. 323 00:22:39,550 --> 00:22:40,550 Dirty Otto. 324 00:22:40,710 --> 00:22:42,530 I like the sound of that. 325 00:22:47,370 --> 00:22:48,370 What are you doing? 326 00:22:50,050 --> 00:22:51,050 Oh. 327 00:22:51,550 --> 00:22:52,550 Hello, Walter. 328 00:22:56,290 --> 00:23:00,590 Honey, that was some of the best acting I've ever seen you do. 329 00:23:01,150 --> 00:23:02,230 Who was acting? 330 00:23:05,410 --> 00:23:06,550 I don't believe this. 331 00:23:06,790 --> 00:23:10,430 I leave you alone for an hour and this is where you wind up? I thought you'd be 332 00:23:10,430 --> 00:23:11,430 more pleased, Walter. 333 00:23:11,610 --> 00:23:12,610 I got the part. 334 00:23:13,270 --> 00:23:15,650 You what? The part I just auditioned for. 335 00:23:16,250 --> 00:23:17,510 They want me in their movie. 336 00:23:18,450 --> 00:23:19,450 Oh, my God. 337 00:23:20,730 --> 00:23:24,230 You certainly are a man of many talents, Agent Man. 338 00:23:27,370 --> 00:23:28,289 Don't worry. 339 00:23:28,290 --> 00:23:29,930 Your secret is there with me. 340 00:23:31,250 --> 00:23:33,330 But don't forget who invited you. 341 00:23:38,670 --> 00:23:41,210 Well, what do you have to say for yourself? 342 00:23:42,350 --> 00:23:44,630 Which do you think is my better side, Walter? 343 00:23:45,120 --> 00:23:46,340 Right or left? 344 00:23:59,680 --> 00:24:00,680 Walter? 345 00:24:01,780 --> 00:24:04,520 Walter, what is going on? The captain said you were following up a lead on the 346 00:24:04,520 --> 00:24:06,220 Gillette case. You almost got your head taken off. 347 00:24:06,420 --> 00:24:08,900 It was worth it. I'm okay, Jack. Here, take a look at that. 348 00:24:11,240 --> 00:24:12,980 That first name, Michael Hagedorn? 349 00:24:13,390 --> 00:24:15,650 He's an underworld figure reputed to be a drug trafficker. 350 00:24:16,150 --> 00:24:19,190 Gillette died in the middle of investigating that movie Hagedorn was 351 00:24:20,070 --> 00:24:22,950 You figure that he came up with something a little bit more than just 352 00:24:23,030 --> 00:24:24,250 right? It sure looks that way. 353 00:24:24,950 --> 00:24:26,010 What about this other name? 354 00:24:26,270 --> 00:24:29,910 Philip Eames. I traced him down from the license of the car I saw pull up to 355 00:24:29,910 --> 00:24:32,310 Hagedorn's last night. He's evidently Hagedorn's attorney. 356 00:24:32,750 --> 00:24:35,950 If you'll notice, he must spend all of his time making large cash deposits into 357 00:24:35,950 --> 00:24:36,950 brokerage houses. 358 00:24:37,170 --> 00:24:41,550 May 10th, $795 ,000. May 29th, $644 ,000. 359 00:24:42,090 --> 00:24:44,210 June 11th, $989 ,000. 360 00:24:44,710 --> 00:24:48,370 It looks suspiciously like this Eames character makes his living by doing 361 00:24:48,370 --> 00:24:49,349 people's laundry. 362 00:24:49,350 --> 00:24:52,550 Well, he's far too wealthy for that. I doubt he even does his own laundry. 363 00:24:54,250 --> 00:24:55,570 Money laundering, I mean. 364 00:24:56,490 --> 00:24:57,570 I'd have to agree with you. 365 00:24:57,790 --> 00:25:00,790 All of this money came from accounts in the Cayman Islands. That is one of the 366 00:25:00,790 --> 00:25:05,050 most notorious stopping places for illegal profits in the world. 367 00:25:07,550 --> 00:25:10,630 Look, I wouldn't be interfering with your investigation if I talked to these 368 00:25:10,630 --> 00:25:11,449 men, would I? 369 00:25:11,450 --> 00:25:14,490 Well, Hagedorn is fairly reclusive. One of the few places he's seen is on the 370 00:25:14,490 --> 00:25:15,469 set of that film. 371 00:25:15,470 --> 00:25:19,050 While you're trying to get at him through the front door, I can be 372 00:25:19,050 --> 00:25:20,230 flank, as it were. 373 00:25:22,170 --> 00:25:23,250 All right. Sounds good. 374 00:25:24,050 --> 00:25:25,050 Keep in touch. 375 00:25:30,870 --> 00:25:34,590 Lieutenant Curtis seems pleased I'm in the movie. 376 00:25:35,690 --> 00:25:37,250 All right. All right. 377 00:25:37,650 --> 00:25:39,650 Just as long as you put the investigation first. 378 00:25:40,330 --> 00:25:41,450 You can take the part. 379 00:25:42,190 --> 00:25:44,170 Just promise me you won't get carried away with it. 380 00:25:44,890 --> 00:25:45,890 Carried away? 381 00:25:46,070 --> 00:25:47,070 Me? 382 00:25:56,370 --> 00:25:59,410 Look, I only know Keith Gillette by reputation. 383 00:26:00,290 --> 00:26:01,390 I never met the guy. 384 00:26:01,910 --> 00:26:07,870 Well, so then you didn't know that he was... that he was doing an in -depth 385 00:26:07,870 --> 00:26:08,870 study. 386 00:26:09,230 --> 00:26:11,430 The financing of your motion picture, then, huh? 387 00:26:12,050 --> 00:26:15,370 I know he had it in for one of my stars, you know, Veronica Everly. 388 00:26:15,710 --> 00:26:18,330 Veronica Everly. Wish she wouldn't have anything to do with the financing of 389 00:26:18,330 --> 00:26:19,330 your picture, would she? 390 00:26:19,970 --> 00:26:21,050 No, of course not. 391 00:26:23,190 --> 00:26:24,770 What can you tell me about Philip Eames? 392 00:26:25,110 --> 00:26:28,170 Only that he's my lawyer and he overcharges me. 393 00:26:29,770 --> 00:26:30,749 That's about all. 394 00:26:30,750 --> 00:26:32,910 Was he the one who set up the accounts in the Cayman Islands? 395 00:26:34,090 --> 00:26:37,650 Look, I think you better refer those questions to him. I got a $20 million 396 00:26:37,650 --> 00:26:38,770 I'm trying to keep on its feet. 397 00:26:40,030 --> 00:26:41,030 $20 million. 398 00:26:43,130 --> 00:26:44,970 That's a lot of money. 399 00:26:46,190 --> 00:26:47,910 Where does a man get $20 million? 400 00:26:49,490 --> 00:26:53,230 Well, either you're born rich or you're smart until you get lucky. 401 00:26:55,410 --> 00:26:56,410 I was all three. 402 00:26:57,670 --> 00:26:59,610 Thank you very much for your time, Mr. Hagedorn. 403 00:27:00,510 --> 00:27:01,510 That's all, Lieutenant. 404 00:27:02,110 --> 00:27:03,110 I'll let myself out. 405 00:27:12,910 --> 00:27:13,910 Yeah, no, I've got that. 406 00:27:14,630 --> 00:27:21,210 Look, why don't you just tell me... Who was that? 407 00:27:21,770 --> 00:27:22,569 Wouldn't say. 408 00:27:22,570 --> 00:27:24,170 Give me a hot tip on the Gillette murder. 409 00:27:24,470 --> 00:27:26,990 You think it's for real? Well, there's only one way to find out. 410 00:27:27,750 --> 00:27:29,230 That's to meet him face to face. 411 00:28:15,030 --> 00:28:16,030 All right, get out! 412 00:28:19,350 --> 00:28:24,210 I haven't been able to get a thing out of him. 413 00:28:24,950 --> 00:28:26,830 Why don't I just put him out of his misery? 414 00:28:27,490 --> 00:28:29,030 Look, I don't care how long it takes. 415 00:28:29,230 --> 00:28:30,750 He's going to tell you everything he knows. 416 00:28:31,150 --> 00:28:32,210 I'll do my best, sir. 417 00:28:33,430 --> 00:28:34,430 Yeah, you do that. 418 00:28:37,990 --> 00:28:39,710 We're going to start all over again. 419 00:28:40,470 --> 00:28:41,750 Nice and slow. 420 00:28:43,440 --> 00:28:45,780 You saw all that reporter's last notes, right? 421 00:28:46,100 --> 00:28:47,100 You know that I did. 422 00:28:47,720 --> 00:28:50,100 Then you can tell me exactly what was in them. 423 00:28:51,240 --> 00:28:53,340 As a matter of fact, I can't. 424 00:28:55,360 --> 00:28:57,940 I got all the time in the world, smart guy. 425 00:28:58,440 --> 00:28:59,520 You want the other hand? 426 00:29:00,520 --> 00:29:01,980 You're one out of time. 427 00:29:05,020 --> 00:29:05,959 Hello, Phil. 428 00:29:05,960 --> 00:29:09,920 Phil Agadon. Oh, how are you, Michael? Phil, I just had a visit from a very 429 00:29:09,920 --> 00:29:10,919 Lieutenant Curtis. 430 00:29:10,920 --> 00:29:12,060 Hey, take it easy. 431 00:29:12,400 --> 00:29:13,400 routine, cooperate. 432 00:29:13,500 --> 00:29:14,499 Phil, listen. 433 00:29:14,500 --> 00:29:16,660 That cop knew everything about the Cayman Island accounts. 434 00:29:17,380 --> 00:29:18,720 I'm telling you, Phil, they know everything. 435 00:29:18,940 --> 00:29:22,960 If we don't finish principal photography of this turkey by 6 p .m. tomorrow, it 436 00:29:22,960 --> 00:29:23,960 won't make much of a difference. 437 00:29:24,500 --> 00:29:26,260 How's the movie going? Are we on schedule? 438 00:29:26,740 --> 00:29:29,680 If there are no catastrophes, we'll make it. But if we don't, you're going to 439 00:29:29,680 --> 00:29:32,300 have a hard time explaining to Casey why you can't afford to pay for the goods 440 00:29:32,300 --> 00:29:33,300 you ordered. 441 00:29:49,840 --> 00:29:50,840 Thanks for your help, Cursor. 442 00:30:02,000 --> 00:30:06,160 So, Jack never told you where he was going, eh? 443 00:30:06,920 --> 00:30:09,380 Only that he was going to meet someone with a tip on the Gillette case. 444 00:30:09,780 --> 00:30:12,620 If it's any consolation, I know that Agent Mann is looking for Jack right 445 00:30:12,800 --> 00:30:15,900 Well, so is every available man I have. That doesn't mean we're going to find 446 00:30:15,900 --> 00:30:16,900 him. 447 00:30:17,760 --> 00:30:21,300 No. No, I didn't report a phone problem. You got the wrong office. 448 00:30:22,120 --> 00:30:23,120 It's me. 449 00:30:24,400 --> 00:30:25,400 Agent Mann. 450 00:30:26,860 --> 00:30:28,380 Did you find out where Jack is? 451 00:30:28,740 --> 00:30:30,620 No, but I did find out he's alive. 452 00:30:31,160 --> 00:30:35,140 And I also found out a number of other things. For starters, Hagedorn and his 453 00:30:35,140 --> 00:30:38,500 attorney are supposed to take delivery of 20 kilos of heroin very soon. 454 00:30:38,940 --> 00:30:42,400 The only problem is if he can't finish the movie by tomorrow evening, he can't 455 00:30:42,400 --> 00:30:43,219 complete the deal. 456 00:30:43,220 --> 00:30:46,060 What has drug smuggling got to do with making movies? 457 00:30:46,700 --> 00:30:49,040 If the movie's not finished, then Hagedorn is. 458 00:30:49,440 --> 00:30:51,800 It means he'll have to shell out the whole cost of the movie himself. 459 00:30:52,180 --> 00:30:54,260 And as a result, he won't be able to buy the drugs. 460 00:30:54,920 --> 00:30:55,920 Sounds crazy. 461 00:30:56,300 --> 00:30:59,880 Agent Mann, you still have a couple of scenes left in the movie, don't you? 462 00:31:00,200 --> 00:31:01,200 Yes. Why? 463 00:31:01,900 --> 00:31:04,700 Then what you've got to do is make sure that they don't finish. 464 00:31:05,980 --> 00:31:06,979 Stall them. 465 00:31:06,980 --> 00:31:07,980 Throw a tantrum. 466 00:31:08,380 --> 00:31:09,359 Do anything. 467 00:31:09,360 --> 00:31:11,360 But don't let them complete the scenes. 468 00:31:11,960 --> 00:31:13,460 How is that going to help? 469 00:31:13,680 --> 00:31:14,720 It'll buy us time. 470 00:31:15,200 --> 00:31:16,560 To find that heroin that's coming in. 471 00:31:16,780 --> 00:31:17,780 Hopefully to find Jack. 472 00:31:18,040 --> 00:31:20,540 Well, I tried to trace the call that was placed from where they have Lieutenant 473 00:31:20,540 --> 00:31:22,680 Curtis. But they weren't on long enough. 474 00:31:22,880 --> 00:31:24,080 This is as far as I got. 475 00:31:25,920 --> 00:31:26,920 First four digits. 476 00:31:27,480 --> 00:31:28,560 Well, at least that's a start. 477 00:31:30,420 --> 00:31:31,940 Well, what are you waiting for? Go! 478 00:31:41,420 --> 00:31:43,720 He's not here in five minutes. I'm going to take him off the film. 479 00:31:44,280 --> 00:31:45,560 You do that and I walk. 480 00:31:46,100 --> 00:31:47,940 I'm not doing this scene without him. 481 00:31:49,020 --> 00:31:50,020 Charming. 482 00:31:53,840 --> 00:31:57,120 Good morning. 483 00:31:57,480 --> 00:31:58,480 Good morning. 484 00:32:01,740 --> 00:32:02,740 Mr. Mann. 485 00:32:03,520 --> 00:32:04,520 Where have you been? 486 00:32:04,780 --> 00:32:06,380 Your call was 90 minutes ago. 487 00:32:07,080 --> 00:32:08,420 I guess I overslept. 488 00:32:08,660 --> 00:32:10,180 Oh, well, that's different. He overslept. 489 00:32:10,640 --> 00:32:12,680 Would you mind getting into wardrobe? We've got to move. 490 00:32:13,370 --> 00:32:14,590 As soon as I have lunch. 491 00:32:16,010 --> 00:32:17,010 Lunch? 492 00:32:18,650 --> 00:32:20,470 We don't have time for lunch. 493 00:32:20,770 --> 00:32:23,110 Well, I can't work on an empty stomach. 494 00:32:23,350 --> 00:32:24,750 Who do you think you are? 495 00:32:25,110 --> 00:32:28,970 Frank. Frank, look, it's going to take longer to fight with him than to feed 496 00:32:28,970 --> 00:32:29,970 him. 497 00:32:30,730 --> 00:32:31,730 Fine. 498 00:32:32,670 --> 00:32:33,670 Fine. 499 00:32:34,070 --> 00:32:35,290 Lunch. Lunch! 500 00:32:36,190 --> 00:32:37,190 15 minutes. 501 00:32:37,350 --> 00:32:38,350 I'll need 45. 502 00:32:38,790 --> 00:32:42,850 I'll start with caviar on toast points, then a nice lobster bisque. 503 00:32:43,230 --> 00:32:46,170 And maybe a simple salad with Belgian endive and Japanese mushrooms. 504 00:32:46,670 --> 00:32:48,530 Maybe there's a particular wine you'd like. 505 00:32:48,770 --> 00:32:52,450 Oh, any pre -war Lafitte Rothschild will do. And if you could send that to my 506 00:32:52,450 --> 00:32:55,250 motorhome. Oh, Mr. Mann, you don't have a motorhome. 507 00:32:55,610 --> 00:32:57,890 Well, make sure by the time lunch gets here that I do. 508 00:32:58,350 --> 00:33:03,090 And do something about this blue psych. It clashes with my collar. 509 00:33:43,470 --> 00:33:47,570 Okay, you see, Veronica, you do your first two lines here, you walk right to 510 00:33:47,570 --> 00:33:48,549 her. 511 00:33:48,550 --> 00:33:49,550 Why? 512 00:33:50,630 --> 00:33:51,650 What do you mean, why? 513 00:33:51,890 --> 00:33:53,770 Because that's where the rest of the scene is played. 514 00:33:55,250 --> 00:33:57,250 But what's my motivation? 515 00:33:57,990 --> 00:34:02,050 Why am I walking over there as opposed to, say, over here? 516 00:34:02,550 --> 00:34:04,090 It seems awfully arbitrary. 517 00:34:04,630 --> 00:34:09,969 No, no, it's not arbitrary at all. You see, we've spent the last 90 minutes 518 00:34:09,969 --> 00:34:11,530 lighting this entire set. 519 00:34:11,960 --> 00:34:14,760 so that you could play your scene over there. 520 00:34:16,280 --> 00:34:18,239 I feel a lot better playing it right here. 521 00:34:18,620 --> 00:34:22,639 Well, I don't give a flying flamingo, Mr. Mann. What would make you feel 522 00:34:22,699 --> 00:34:26,659 We're going to do this scene the way I want to do it, or we're not going to do 523 00:34:26,659 --> 00:34:27,659 it at all. 524 00:34:27,960 --> 00:34:28,960 Temper, temper. 525 00:34:29,960 --> 00:34:31,900 You let me know when you've moved all the lights. 526 00:34:32,739 --> 00:34:33,960 I'll be in my motor. 527 00:34:38,300 --> 00:34:40,460 Move the light over here. 528 00:34:41,040 --> 00:34:43,639 We're going to play the scene over here. 529 00:34:44,280 --> 00:34:45,639 All right, tell them to play that. 530 00:34:47,400 --> 00:34:48,679 I like your style. 531 00:34:49,440 --> 00:34:52,940 But somehow I get the feeling that what you're doing has more to do with you 532 00:34:52,940 --> 00:34:54,639 being a policeman than a prima donna. 533 00:34:55,080 --> 00:34:58,300 You keep that theory to yourself, and I'll make you a star. 534 00:34:59,180 --> 00:35:00,360 I'm already a star. 535 00:35:00,920 --> 00:35:01,920 Then I'll make you dinner. 536 00:35:02,120 --> 00:35:03,120 You're on. 537 00:35:05,000 --> 00:35:07,200 Oh, I've missed you so. 538 00:35:07,920 --> 00:35:09,320 It won't be long now. 539 00:35:09,920 --> 00:35:10,779 wrap this movie. 540 00:35:10,780 --> 00:35:13,920 Good old Michael gives me the 18 million to buy the heroin with, and the only 541 00:35:13,920 --> 00:35:19,080 thing I'm buying with it are two tickets for Rio. Oh, that sounds wonderful. 542 00:35:19,800 --> 00:35:21,300 But you left out one part. 543 00:35:21,640 --> 00:35:22,980 What do you mean, getting rid of Michael? 544 00:35:23,460 --> 00:35:24,460 That's right. 545 00:35:24,820 --> 00:35:27,220 That, my dear, is to something you can... 546 00:35:50,759 --> 00:35:51,860 Selby. All right, shoot. 547 00:35:54,280 --> 00:35:55,280 Yeah, I've got it. 548 00:35:55,780 --> 00:35:59,720 Yeah, we don't pick up the stuff until we've heard it's been paid for. 549 00:36:00,260 --> 00:36:01,260 Right. 550 00:36:21,800 --> 00:36:22,820 Heard any word from Curtis. 551 00:36:25,040 --> 00:36:28,060 What about that high -powered federal buddy of yours? 552 00:36:28,420 --> 00:36:29,740 Has he come up with anything? 553 00:36:30,060 --> 00:36:31,060 Agent Mann. 554 00:36:31,280 --> 00:36:35,100 No, he's busy trying to prevent Hagedorn from meeting that 6 o 'clock deadline. 555 00:36:35,520 --> 00:36:36,620 Well, what about you? 556 00:36:38,140 --> 00:36:40,360 There's a thousand phone numbers to start with these four digits. 557 00:36:40,780 --> 00:36:43,860 I'm just going through the phone company records to see if any of these places 558 00:36:43,860 --> 00:36:45,640 seem like promising hideouts. 559 00:36:45,860 --> 00:36:49,320 Well, he's been gone for 36 hours. I just hope he's still alive. That's all. 560 00:36:59,340 --> 00:37:00,319 Hello, Gib. 561 00:37:00,320 --> 00:37:03,440 That's great. Veronica, perfect. Norm, that's going to be the shot. Right where 562 00:37:03,440 --> 00:37:04,440 it is. Don't change anything. 563 00:37:05,080 --> 00:37:06,780 Ladies and gentlemen, listen up for a minute. 564 00:37:07,600 --> 00:37:12,140 As you're all aware, we have only three hours to finish this entire scene. 565 00:37:13,220 --> 00:37:14,980 I cannot stress enough. 566 00:37:15,280 --> 00:37:17,340 I need everyone's cooperation. 567 00:37:20,220 --> 00:37:21,280 Everyone's cooperation. 568 00:37:22,860 --> 00:37:23,860 Any questions? 569 00:37:24,240 --> 00:37:25,320 Yes, just one. 570 00:37:26,860 --> 00:37:27,880 I was just thinking. 571 00:37:28,680 --> 00:37:32,380 How much more dramatic this scene would be in the middle of a raging snowstorm? 572 00:37:35,580 --> 00:37:37,080 I'll just pretend I didn't hear that. 573 00:37:37,720 --> 00:37:39,480 First positions, everybody, okay? 574 00:37:40,440 --> 00:37:41,780 Let's see if we can get a run through. 575 00:37:45,780 --> 00:37:47,500 Three more hours and we're home free, huh? 576 00:37:47,780 --> 00:37:50,300 It may just be the three longest hours of your life. 577 00:37:52,720 --> 00:37:53,720 Marker. 578 00:37:55,320 --> 00:37:56,320 Action. 579 00:38:04,300 --> 00:38:05,300 Hello, Gib. 580 00:38:05,480 --> 00:38:06,540 It's been a long time. 581 00:38:11,560 --> 00:38:12,560 Not long enough. 582 00:38:14,180 --> 00:38:15,640 Oh, sorry. 583 00:38:16,440 --> 00:38:19,780 Do you suppose we could get some cue cards made up, Frank? 584 00:38:22,820 --> 00:38:23,820 Great. 585 00:38:26,340 --> 00:38:27,440 Captain. What? 586 00:38:27,660 --> 00:38:28,660 I think I've got something. 587 00:38:28,700 --> 00:38:29,700 What is it? 588 00:38:29,720 --> 00:38:32,700 This phone number. It's a brand new installation in an abandoned building. 589 00:38:34,640 --> 00:38:40,440 Now, why would anybody want to put a brand -new phone line in an abandoned 590 00:38:40,440 --> 00:38:41,440 building? 591 00:38:41,900 --> 00:38:46,320 I think I just answered my own question. Have you got an address on that? I sure 592 00:38:46,320 --> 00:38:48,280 do. All right, then. Let's get going. I'll get up. 593 00:38:55,960 --> 00:39:00,280 You hear something? 594 00:39:01,620 --> 00:39:03,080 You're hearing things. Turn it up. 595 00:39:03,820 --> 00:39:04,820 Turn it up. 596 00:39:07,480 --> 00:39:07,880 As 597 00:39:07,880 --> 00:39:26,720 we 598 00:39:26,720 --> 00:39:29,880 take a look at it again, we see that... All right, boys, post your weapons over 599 00:39:29,880 --> 00:39:30,880 here nice and easy. 600 00:39:39,370 --> 00:39:42,710 You certainly are trigger happy. It wouldn't surprise me if you're the man 601 00:39:42,710 --> 00:39:44,350 murdered Keith Gillette. You're crazy. 602 00:39:44,710 --> 00:39:48,270 Who knows? Maybe that gun of yours will match the bullet that killed him. It was 603 00:39:48,270 --> 00:39:49,270 my idea. 604 00:39:49,290 --> 00:39:50,630 Hagedorn put me up to it, I swear. 605 00:39:51,070 --> 00:39:53,190 Captain, I never thought I'd be so glad to see you. 606 00:39:53,470 --> 00:39:55,010 Well, he thanked you for the inhibition. 607 00:39:55,530 --> 00:39:58,710 He figured it out. If we're not too late, I think I know where we can find a 608 00:39:58,710 --> 00:39:59,810 couple million dollars worth of heroin. 609 00:40:00,890 --> 00:40:02,690 Take over. 610 00:40:04,170 --> 00:40:05,230 I'll see you later. 611 00:40:06,170 --> 00:40:08,650 Where are you going? I'm going to make sure Hagedorn and his lawyer don't get 612 00:40:08,650 --> 00:40:09,790 the sudden impulse to leave town. 613 00:40:10,210 --> 00:40:11,210 Wally, thank you. 614 00:40:12,310 --> 00:40:13,310 Let's go. 615 00:40:13,450 --> 00:40:14,470 Captain, you need some attention. 616 00:40:14,730 --> 00:40:16,350 No, no, I'm all right. Come on, let's go. 617 00:40:19,550 --> 00:40:25,130 We've got less than an hour. I don't care what happens. Just keep the camera 618 00:40:25,130 --> 00:40:26,910 rolling. Don't worry. You know what they call me? 619 00:40:27,190 --> 00:40:28,190 The miracle worker. 620 00:40:38,510 --> 00:40:39,510 Hello, Gib. 621 00:40:40,990 --> 00:40:42,110 It's been a long time. 622 00:40:43,270 --> 00:40:45,390 Time is a relative concept. 623 00:40:46,170 --> 00:40:50,010 Einstein proved that. It's not the right line. Keep rolling. The velocity of an 624 00:40:50,010 --> 00:40:51,310 object approaches the speed of light. 625 00:40:51,590 --> 00:40:53,810 He doesn't want you, Gene. Can't you see that? 626 00:40:55,010 --> 00:40:56,990 Those clouds up there certainly look threatening. 627 00:40:57,570 --> 00:40:58,630 Maybe we should go inside. 628 00:40:59,350 --> 00:41:00,350 What cloud? 629 00:41:03,170 --> 00:41:04,170 Cursor. 630 00:42:49,190 --> 00:42:50,190 I said... 631 00:43:36,300 --> 00:43:38,140 Captain Boyd, over here, Curtis. 632 00:43:40,820 --> 00:43:41,820 You all right? 633 00:43:44,200 --> 00:43:45,200 Yeah. 634 00:43:49,360 --> 00:43:51,240 I don't know. I think I'm getting a little old for this. 635 00:43:51,520 --> 00:43:52,920 Very funny. Very funny. 636 00:43:55,100 --> 00:43:56,100 Let's find the dope. 637 00:44:17,520 --> 00:44:18,520 Look the other way. 638 00:44:26,660 --> 00:44:27,660 Eureka. 639 00:44:31,940 --> 00:44:32,320 I 640 00:44:32,320 --> 00:44:40,880 don't 641 00:44:40,880 --> 00:44:43,140 believe it. How could something like this happen? I'm out 20 million. 642 00:44:44,080 --> 00:44:45,400 That's the least of your problems. 643 00:44:49,170 --> 00:44:50,850 What's going on? Very simple. 644 00:44:51,610 --> 00:44:55,150 You give me the combination of you're safe and I become a very wealthy man. 645 00:44:56,530 --> 00:44:57,890 You're not getting your hands on my money. 646 00:44:58,650 --> 00:44:59,650 Never. 647 00:45:00,070 --> 00:45:01,070 Stay away, Kitty. 648 00:45:01,890 --> 00:45:02,890 This loss is mine. 649 00:45:06,350 --> 00:45:07,830 I don't think he'll hurt me, Michael. 650 00:45:32,560 --> 00:45:33,600 Who wants to talk first? 651 00:45:41,520 --> 00:45:42,520 Hold it! 652 00:45:47,640 --> 00:45:49,280 Going somewhere, Mr. Reams? 653 00:46:17,320 --> 00:46:18,320 Quick, Commissar! 654 00:46:20,800 --> 00:46:24,740 Coming down! 655 00:46:34,380 --> 00:46:36,580 Well done, Walter. Very well done indeed. 656 00:46:53,069 --> 00:46:54,790 How was your performance, Otto? 657 00:46:55,230 --> 00:46:59,770 Sorry I missed it. I think it'd be fair to say it was a real showstopper. 658 00:47:06,390 --> 00:47:08,210 Well, that's the report, Otto. 659 00:47:09,270 --> 00:47:10,390 Another case closed. 660 00:47:11,130 --> 00:47:14,990 I must say the role of actor was amusing, but I infinitely prefer that of 661 00:47:14,990 --> 00:47:18,270 fighter. Well, that's a relief to hear. I was afraid you might have gotten... 662 00:47:18,460 --> 00:47:19,460 The bug. 663 00:47:24,140 --> 00:47:26,820 Have you two seen this? What? 664 00:47:27,260 --> 00:47:30,220 It's Sheila Dunham's gossip column, page three. 665 00:47:32,740 --> 00:47:36,860 Production has stopped abruptly on the $20 million feature The Silver Dawn, 666 00:47:36,860 --> 00:47:40,360 federal and local investigators arresting producer Michael Hagedorn, his 667 00:47:40,360 --> 00:47:44,280 Philip Eames, and several other persons on charges of drug smuggling. How about 668 00:47:44,280 --> 00:47:45,520 that? Keep reading. 669 00:47:47,540 --> 00:47:51,580 Even a bigger mystery than the fate of the film is the whereabouts of Hollywood 670 00:47:51,580 --> 00:47:56,800 newcomer Otto J. Mann, who, according to those who've seen the footage, stole 671 00:47:56,800 --> 00:47:57,800 the show. 672 00:47:58,320 --> 00:48:00,700 Here's hoping we see more of the handsome Mr. 673 00:48:00,940 --> 00:48:01,940 Mann. 674 00:48:02,580 --> 00:48:03,720 I don't believe this. 675 00:48:04,100 --> 00:48:06,500 Have you ever heard anything more ridiculous in your life? 676 00:48:08,320 --> 00:48:09,840 I couldn't agree with you more. 677 00:48:10,180 --> 00:48:13,480 Oh, by the way, I'd like to ask your opinion about something. Oh, okay. 678 00:48:15,980 --> 00:48:21,460 When I answer my fan mail, should I sign auto man or just plain auto?